‘As you’d expect, this house has beautiful proportions,’ says interior designer Victoria Gray, who, with design partner Taline Findlater, had the rather enviable task of filling the three-story Georgian house in Northamptonshire with light, color, and pattern, alongside the owners’ collection of antiques and contemporary art.
The duo from Olivine Design, known for considered, timeless interiors with just a hint of play, were ‘lucky enough’ to be involved at the beginning of this home’s next chapter, working with ‘an amazing firm of architects – Nick Cox Architects – as well as a great construction team’, Victoria says.
Exterior: ‘One of our favorite features is the panelling throughout the ground and first floors – it has so much character and history’.
(Image credit: Olivine Design / Styling Hannah Deacon / Photography Simon Bevan)
Built between 1727 and 1730, the house needed a complete renovation, which involved extending and reconfiguring some spaces. ‘Our clients wanted a light-filled house that respected its heritage, while making it a modern home for a family with four young children to grow up in,’ says Taline.
The work started in 2023 and took almost two years to complete, with new bathrooms, an extension to the kitchen, and the addition of a mudroom and scullery, along with new finishes where the original was not being fully restored.
Entryway: The table and rug are both from auction. Walls in Cinnamon, Edward Bulmer Natural Paint. Pendant, Hector Finch. Lamp, Porta Romana. Sofa, David Seyfried. Curtains in Claremont fabric
(Image credit: Olivine Design / Styling Hannah Deacon / Photography Simon Bevan)
‘Nick and his team specialize in restoring listed houses, and it’s always exciting to be brought in at such an early stage as it allows us to closely consider the spaces, how they will be used, and by whom,’ Taline adds. The project definitely proved to be a rewarding experience.
Walking through the front door, you step into a paneled hallway with reception rooms on either side – the living room and home office – and the main staircase through an arch. Off the living room is the dining room, with the kitchen, scullery, and mudroom on the other side of the ground floor.
Living Room: Soft colors and natural textures, along with dashes of pattern used on smaller furnishings, ensure the room’s airy atmosphere is enhanced. Sacramento grasscloth wallpaper, Stereo Interiors. Arlington stool, David Seyfried; in Tao Blue, Jennifer Shorto. Rug, Seagrass Story. Armchair, David Seyfried; in Hintlesham Tomato, Guy Goodfellow Collection. Curtains in a fabric by Lewis & Wood
(Image credit: Olivine Design / Styling Hannah Deacon / Photography Simon Bevan)
‘We really wanted to enhance the flow between the reception rooms,’ says Victoria. For this, they used a palette of colors that work through these spaces, with olive, cinnamon, straw and brick making repeated appearances.
With large and plentiful windows on the ground and first floor (where the primary bedroom, bathroom, dressing room, and two further bedrooms and bathrooms are), softer iterations of these colors are found, playing with the abundance of natural light.
Daughter’s Bedroom: Richly layered fabrics in gentle hues of pink are cozy and traditional while the large check curtains add an unexpected note. Walls in Setting Plaster, Farrow & Ball. Headboard in Tiny Tulips in Burgundy, Ottoline. Frilled cushions, Olivine Design Shop. Vintage Star throw, Melin Tregwynt. Curtains in Jumbo Gingham in Hay, Beata Heuman
(Image credit: Olivine Design / Styling Hannah Deacon / Photography Simon Bevan)
As you journey to the second floor (home to a laundry room, four bedrooms, and two bathrooms), with its lower ceilings, the palette becomes more intense.
Such color confidence wasn’t without its challenges, though.
Bathroom: Small-scale floral-motif wallpaper and ruched blinds tie in with the period feel here. Wallpaper, Antoinette Poisson. Bath, C. P. Hart. Light, Porta Romana. Vanity, Drummonds
(Image credit: Olivine Design / Styling Hannah Deacon / Photography Simon Bevan)
‘In the reception rooms, the scale and number of windows were tricky,’ Victoria says. ‘Too much color and pattern and we would have been in danger of overwhelming the space, so we played with pattern on upholstery and accessories, using plain choices with lots of texture on the windows and walls. For example, the living room has a beautiful textured grasscloth wallpaper with linen curtains and a woven seagrass rug,’ she explains.
The house’s original paneling also gave the opportunity for rich color while providing textural interest.
‘Fortunately, our clients enjoy color and were keen for us to mix their contemporary artwork with new and antique pieces of furniture,’ says Taline.
Dining Room: Choosing to paint all the paneling, molding, and woodwork in the same red was a modern choice. Walls in Eating Room Red, Farrow & Ball. Curtains in Thorp of London fabric. Chairs upholstered in Wicker, Fermoie. Ceiling light, Porta Romana.
(Image credit: Olivine Design / Styling Hannah Deacon / Photography Simon Bevan)
Perhaps the best example of this happy coexistence of old and new, color with pattern, is found in the dining room, where a large, contemporary artwork inspired the scheme of indulgent, rich red.
The piece, abstract in style, sits next to a traditional hand-blocked floral print fabric at the windows – new and old epitomized.
Kitchen: Bold tones bring an uplifting ambience here, including the chairs around the dining table. The table was cut from a piece of wood the client sourced from Wales. Kitchen, Plain English. Walls in Fair White, Edward Bulmer Natural Paint. Artwork, Bonhams. Chairs, David Duggleby Auctioneers & Valuers. Wobble pendants, Alex Robinson. Runner, Seagrass Story.
(Image credit: Olivine Design / Styling Hannah Deacon / Photography Simon Bevan)
Or maybe it’s the color-pop red of the painted dining chairs in the kitchen nestled under a tabletop made from a beautiful piece of wood from a Welsh forest, or the vivid fresh green coat given to the simple, traditional millwork in the drinks pantry.
It is this mix of traditional and contemporary that will see this property stand as a family home for generations to come.
Drinks Pantry: A splash of green awaits in this dedicated space, linked to the kitchen by a neat archway. Joinery in Moygashel, Plain English. Handmade lampshade, Rosi de Ruig. Pendant, Matilda Goad & Co.
(Image credit: Olivine Design / Styling Hannah Deacon / Photography Simon Bevan)
The client says the scullery, mudroom and kitchen are her favorite spaces, that they’ve ‘transformed’ the house.
Practicalities aside, Victoria and Taline have given this listed house a new legacy: ‘With the lovely, layered rooms, its owners can also add their own design mark over time,’ Victoria says.
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